{"id":14611,"date":"2020-04-08T16:13:34","date_gmt":"2020-04-08T07:13:34","guid":{"rendered":"https:\/\/www.utsuwa-hanada.jp\/hanada\/?p=14611"},"modified":"2026-05-06T20:22:26","modified_gmt":"2026-05-06T11:22:26","slug":"20200408-1","status":"publish","type":"post","link":"https:\/\/www.utsuwa-hanada.jp\/hanada\/blog\/20200408-1\/","title":{"rendered":"\u5b89\u90e8\u592a\u4e00\u3055\u3093\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc 2020"},"content":{"rendered":"<style>\r\n#interview .browntext{\r\n\tcolor:#674512;\r\n\tfont-weight:bold;\r\n}\r\n\r\n#interview p{\r\n\tmargin: 10px 0 20px;\r\n}\r\n\r\nh4.interviewtitle,h2.interviewtitle_bold{\r\n\tfont-weight:bold;\r\n\tfont-size:120%;\r\n}\r\n\r\n.titlelink{\r\n\tfont-weight:bold;\r\n\tfont-size:120%;\r\n}\r\n\r\nimg{\r\n\tmargin-bottom:20px;\r\n}\r\n\r\nh3{\r\n\tborder: medium none;\r\n    font-size: 20px;\r\n    font-weight: bold;\r\n    padding: 20px 0px 0px;\r\n}\r\n<\/style>\r\n\r\n<div style=\"width:100%;\" id=\"interview\">\r\n\r\n<!-- \u25bc \u82f1\u8a9e\u7248\uff08\u6298\u308a\u305f\u305f\u307f\uff09 \u25bc -->\r\n<style>\r\n\/* \u82f1\u8a9e\u6298\u308a\u305f\u305f\u307f\u30af\u30ea\u30c3\u30af\u90e8\u5206\u30c7\u30b6\u30a4\u30f3\u6307\u5b9a *\/\r\ndetails.translation summary {\r\n  cursor: pointer;\r\n  font-weight: 400; \r\n  color: #674512;\r\n  font-size: 1.1em;\r\n  list-style: none;\r\n  display: inline-block;\r\n  text-decoration: underline;\r\n  text-underline-offset: 2px; \r\n  transition: color 0.2s;\r\n}\r\n\r\ndetails.translation summary::before {\r\n  content: \"\u25bc \";\r\n  display: inline-block;\r\n  width: 1em;\r\n  margin-right: 0.2em;\r\n  transition: transform 0.2s;\r\n}\r\n\r\ndetails.translation[open] summary::before {\r\n  content: \"\u25b2 \";\r\n}\r\n\r\ndetails.translation summary:hover {\r\n  color: #0073e6;\r\n}\r\n<\/style>\r\n\r\n<!-- JSON-LD for Taichi Abe Interview 2020 -->\r\n<script type=\"application\/ld+json\">\r\n{\r\n  \"@context\": \"https:\/\/schema.org\",\r\n  \"@type\": \"Interview\",\r\n  \"url\": \"https:\/\/www.utsuwa-hanada.jp\/hanada\/blog\/20200408-1\/\",\r\n  \"name\": \"Interview with Taichi Abe 2020\",\r\n  \"about\": \"Japanese pottery, handcrafted ceramics, Japanese tableware artist\",\r\n  \"inLanguage\": [\"ja\",\"en\"],\r\n  \"interviewee\": {\r\n    \"@type\": \"Person\",\r\n    \"name\": \"Taichi Abe\",\r\n    \"jobTitle\": \"Ceramic Artist\"\r\n  },\r\n  \"interviewer\": {\r\n    \"@type\": \"Person\",\r\n    \"name\": \"Hanada\"\r\n  },\r\n  \"publisher\": {\r\n    \"@type\": \"Organization\",\r\n    \"name\": \"Hanada\"\r\n  }\r\n}\r\n<\/script>\r\n\r\n\r\n<details class=\"translation\">\r\n  <summary> English version of the interview here.<\/summary>\r\n  <div lang=\"en\">\r\n\r\n\r\n<!-- \u82f1\u8a9e\u7248\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\u3053\u3053\u304b\u3089 -->\r\n<div style=\"width:100%;\" id=\"interview\">\r\n<img decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_01.jpg\" alt=\"Taichi Abe Interview\">\r\n<h3>Into the World of Music<\/h3>\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: Your father is also a ceramic artist.<\/p>\r\n\r\n<p><strong>Taichi Abe :<\/strong> My father trained under Kenji Funaki and later became independent in our hometown of Shimane. I remember playing with clay in his workshop as a child, but I never thought of it as my future profession. I intended to pursue music instead. After graduating from high school, I attended a music vocational school in Tokyo, and later my band at the time was signed to an agency.<\/p>\r\n\r\n<img decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_02.jpg\" alt=\"Taichi Abe Interview\">\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: That\u2019s impressive\u2014to be signed to an agency.<\/p>\r\n\r\n<p><strong>Taichi Abe :<\/strong> There was a very talented member in the band I was part of. It wasn\u2019t because of me. There are many people who get that far. What\u2019s difficult is being widely recognized afterward and continuing your activities.<\/p>\r\n\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: What kind of music were you playing?\r\n\r\n<p><strong>Taichi Abe :<\/strong> It was British rock, which was quite popular at the time. Oasis, Radiohead, and so on.<\/p>\r\n\r\n<h3>From Music to Ceramics<\/h3>\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: After your band activities, you moved into ceramics.<\/p>\r\n\r\n<p><strong>Taichi Abe :<\/strong> I started thinking about it in my late twenties. \r\nNo matter the field, I want to express my own sensibility, so it felt like music was simply replaced by ceramics.<\/p>\r\n\r\n<img decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_03.jpg\" alt=\"Taichi Abe Interview\">\r\n\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: So it\u2019s just the medium that changed, not what you want to express.<\/p>\r\n<p><strong>Taichi Abe :<\/strong> Exactly. Around that time, the world of craft was also changing and becoming more open. At the same time, having watched my father\u2019s work closely, I understood how difficult it is. You may gain attention temporarily, but continuing to create solid work while refining your technique and sensibility is by no means easy.<\/p>\r\n\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: That\u2019s something you can truly feel having seen it up close.<\/p>\r\n\r\n<img decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_04.jpg\" alt=\"Taichi Abe Interview\">\r\n<h3>The Meaning of \u201cGood\u201d<\/h3>\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: And then you began your apprenticeship under your father.<\/p>\r\n\r\n<p><strong>Taichi Abe :<\/strong> While learning techniques from my father, I also studied the history and theory of ceramics in museums and libraries. I tried to see as many so-called \u201cmasterpieces\u201d as possible, not just the things I was personally interested in. I think I wanted to understand what \u201cgood\u201d really means. But what I realized was that what I wanted to do and what has been historically valued were completely out of alignment\u2026 (laughs).<\/p>\r\n\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: How did those historically valued works appear to you?<\/p>\r\n\r\n<p><strong>Taichi Abe :<\/strong> I could understand them\u2014the presence, the firing\u2026 I could see how remarkable they were. But I felt they weren\u2019t something that came from within me. That applied not only to older works but also to the works of leading ceramic artists at the time. Highly regarded pieces carry a corresponding energy.<br>\r\nBut that energy belongs to the maker themselves. No matter how skillfully you imitate such works, unless it comes from within you, it doesn\u2019t feel like something you\u2019ve truly created. At the time, it felt more like, \u201cI should at least see these.\u201d Then, after nine years, I became independent.<\/p>\r\n\r\n<img decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_05.jpg\" alt=\"Taichi Abe Interview\">\r\n<h3>From Within Painting<\/h3>\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: Many of your current works evoke a European atmosphere.<\/p>\r\n\r\n<p><strong>Taichi Abe :<\/strong> It\u2019s not something I consciously aim for, but I\u2019ve always liked Western painting and music, so that influence may come through.<\/p>\r\n\r\n<img decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_06.jpg\" alt=\"Taichi Abe Interview\">\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: I see you also have a book of Coutelas in your studio.<\/p>\r\n\r\n<p><strong>Taichi Abe :<\/strong> My great-uncle was a painter, and when I started studying ceramics, he shared many insights with me. This studio was actually his atelier. I love Coutelas and Morandi. I really enjoyed experimenting with how I might recreate ceramics depicted in paintings.<\/p>\r\n\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: So your starting point was within painting.<\/p>\r\n\r\n<p><strong>Taichi Abe :<\/strong> I do refer to antiques when shaping my work, but that wasn\u2019t the original starting point. As for the practical making of tableware, it\u2019s based on the techniques and knowledge I learned from my father, who worked as a craftsman.<\/p>\r\n\r\n<h3>Voices and Laughter Echoing in Quiet Stone Towns<\/h3>\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: Do you travel to Europe often?<\/p>\r\n\r\n<p><strong>Taichi Abe :<\/strong> Three years ago, I went to Italy to study religious art. I wanted to experience the atmosphere of the country, the people who live there, the churches and their furnishings\u2014not just as a tourist, but by staying there.<\/p>\r\n\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: Which areas did you visit?<\/p>\r\n\r\n<p><strong>Taichi Abe :<\/strong> Based in Florence, I visited historic towns such as Assisi, Arezzo, Lucca, Cortona, Orvieto, and Siena.<\/p>\r\n\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: In any country, those regional towns often preserve the character better than central cities.<\/p>\r\n\r\n<img decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_07.jpg\" alt=\"Taichi Abe Interview\">\r\n\r\n<p><strong>Taichi Abe :<\/strong> When you go to places like the Uffizi Gallery in Florence, there are many famous artworks. Many were created under political power to demonstrate the nation\u2019s strength, often with religion as a backdrop, and their scale and quality are extraordinary.<br>\r\nThere\u2019s also an overwhelming sense of \u201clook at this.\u201d It\u2019s fine for a quick visit as a tourist, but it was a bit different from what I was seeking. When you move away slightly to towns with old castles, the traditional stone streets are beautifully preserved, and the churches are modest. You can really feel them as places of prayer for the people who live there.<br>\r\nYou can imagine people calming their minds there before returning to daily life. In reality, the hymns sung by nuns and the laughter of children overlap within these quiet stone towns, and I find that overall atmosphere very compelling.<\/p>\r\n\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: So you were able to feel the atmosphere you had imagined from paintings.<\/p>\r\n<p><strong>Taichi Abe :<\/strong> I think I was able to sense the gentle quality of light depicted by artists like Morandi.<\/p>\r\n\r\n<img decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_08.jpg\" alt=\"Taichi Abe Interview\">\r\n<h3>Understanding Yourself More Deeply<\/h3>\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: What is important to you in your work?<\/p>\r\n\r\n<p><strong>Taichi Abe :<\/strong> Making things with my own hands.\u3000After returning from Italy, I kept thinking about what it means to create something that comes from my own hands.\u3000I used to be asked what genre I belonged to.\u3000\u201cIs it folk craft, tea ceramics, or lifestyle craft\u2014where do you fit?\u201d\u3000But isn\u2019t it difficult to answer that yourself?\u3000I don\u2019t start by deciding a genre.<br>\r\nWhen I begin from my own sensibility, it makes the act of creating very positive and freeing.\u3000That\u2019s why I make both sculptural pieces and tableware.\u3000For me, \u201cmaking with my own hands\u201d includes all of that.<\/p>\r\n\r\n<img decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_09.jpg\" alt=\"Taichi Abe Interview\">\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: In the past, systems\u2014including education\u2014often functioned by fitting individuals into predefined frameworks.\u3000Now, it seems more aligned with the times to refine what emerges from the individual.<\/p>\r\n\r\n<p><strong>Taichi Abe :<\/strong> Values have diversified, and people overseas are also interested. \r\nRecently, I\u2019ve felt that categorizing into genres narrows one\u2019s possibilities and isn\u2019t very interesting.<\/p>\r\n\r\n<img decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_10.jpg\" alt=\"Taichi Abe Interview\">\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: Today, if you choose to, it\u2019s easier to act freely.<\/p>\r\n<p><strong>Taichi Abe :<\/strong> Even the way we listen to music has shifted to streaming. \r\nPeople in their twenties can say an old song is great, and we can appreciate music made by someone in their twenties. Letting go of distinctions like old versus new, trends, or what sells, and simply asking yourself whether you like something or not is very important. Whether it\u2019s clothing or music, that process helps you understand yourself more deeply and refine your intuition.<\/p>\r\n\r\n<h3>Good Food and Meeting People<\/h3>\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: Each of those experiences influences your making as well.<\/p>\r\n\r\n<p><strong>Taichi Abe :<\/strong> The process of creation is a series of decisions, all aiming toward making something good in the end. What matters is how accurately and confidently you can make those decisions. Which clay to use, when to stop the wheel\u2026 in daily life, there are times when mental instability can cloud judgment.<\/p>\r\n\r\n<img decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_11.jpg\" alt=\"Taichi Abe Interview\">\r\n<p><strong>Taichi Abe :<\/strong> It\u2019s like buying clothes you don\u2019t even really want. While navigating such moments, refining your internal axis is fundamental to creating good work, and I think that process itself is enjoyable. Life experience is essential\u2014listening to good music, eating good food, meeting people\u2014and each of these connects to the act of making.<\/p>\r\n\r\n<h3>Looking Ahead<\/h3>\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: What would you like to pursue going forward?<\/p>\r\n<p><strong>Taichi Abe :<\/strong> I want to continue pursuing what only I can do. Recently, I\u2019ve also been thinking about trying DJing, and I\u2019ve started gradually buying records of music I\u2019ve listened to over the years. It\u2019s not ceramics, but it\u2019s something I\u2019d like to explore (laughs).<\/p>\r\n\r\n<p class=\"browntext\" style=\"margin-top:0px\">Hanada: I\u2019m looking forward to it. Let me know when you DJ. And best of luck with the exhibition.<\/p>\r\n\r\n<p><strong>Taichi Abe :<\/strong> Thank you very much.<\/p>\r\n<br>\r\n\u226a END \u226b\r\n<br>\r\n  <\/div>\r\n<\/details>\r\n<!-- \u82f1\u8a9e\u7248\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\u304a\u308f\u308a -->\r\n\r\n<!-- \u65e5\u672c\u8a9e\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\u3053\u3053\u304b\u3089 -->\r\n<div style=\"width:100%;\" id=\"interview\">\r\n<img decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_01.jpg\" alt=\"\u5b89\u90e8\u592a\u4e00\u3055\u3093\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\">\r\n<h3>\u97f3\u697d\u306e\u4e16\u754c\u3078<\/h3>\r\n<p class=\"browntext\">\u82b1\u7530\uff1a \u5b89\u90e8\u3055\u3093\u306f\u304a\u7236\u69d8\u3082\u9676\u82b8\u306e\u304a\u4ed5\u4e8b\u3092\u3055\u308c\u3066\u3044\u307e\u3059\u3002\uff08\u4ee5\u4e0b\u82b1\u7530\uff0d\uff09<\/p>\r\n\r\n<p class=\"answertext\">\u5b89\u90e8\uff1a 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decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_05.jpg\" alt=\"\u5b89\u90e8\u592a\u4e00\u3055\u3093\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\">\r\n<h3>\u7d75\u753b\u306e\u4e2d\u304b\u3089<\/h3>\r\n<p class=\"browntext\">\uff0d\uff1a \u5b89\u90e8\u3055\u3093\u304c\u4eca\u4f5c\u3089\u308c\u3066\u3044\u308b\u3082\u306e\u306b\u306f\u3001\u30e8\u30fc\u30ed\u30c3\u30d1\u306e\u96f0\u56f2\u6c17\u3092\u611f\u3058\u3055\u305b\u308b\u3082\u306e\u304c\u591a\u3044\u3067\u3059\u3002<\/p>\r\n<p class=\"answertext\">\u5b89\u90e8\uff1a \u7279\u306b\u76ee\u6307\u3057\u3066\u3044\u308b\u308f\u3051\u3067\u306f\u306a\u3044\u306e\u3067\u3059\u304c\u3001\u897f\u6d0b\u306e\u7d75\u3084\u97f3\u697d\u304c\u597d\u304d\u3060\u3063\u305f\u306e\u3067\u3001\u305d\u306e\u5f71\u97ff\u304c\u51fa\u3066\u3044\u308b\u306e\u304b\u3082\u3057\u308c\u307e\u305b\u3093\u3002<\/p>\r\n\r\n<img decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_06.jpg\" alt=\"\u5b89\u90e8\u592a\u4e00\u3055\u3093\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\">\r\n<p class=\"browntext\">\uff0d\uff1a \u5de5\u623f\u306b\u306f\u3001\u30af\u30fc\u30c8\u30e9\u30b9\u306e\u753b\u96c6\u3082\u3042\u308a\u307e\u3059\u306d\u3002<\/p>\r\n<p class=\"answertext\">\u5b89\u90e8\uff1a 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decoding=\"async\" src=\"https:\/\/www.utsuwa-hanada.jp\/hanada\/wp-content\/uploads\/2020\/04\/20200408-1_09.jpg\" alt=\"\u5b89\u90e8\u592a\u4e00\u3055\u3093\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\">\r\n<p class=\"browntext\">\uff0d\uff1a \u4ee5\u524d\u306f\u6559\u80b2\u3082\u542b\u3081\u3066\u500b\u4eba\u3092\u67a0\u306b\u306f\u3081\u308b\u3053\u3068\u304c\u3001\u6a5f\u80fd\u3057\u3066\u3044\u307e\u3057\u305f\u3002<br>\r\n\u4eca\u306f\u500b\u4eba\u304b\u3089\u51fa\u3066\u304d\u305f\u3082\u306e\u3092\u78e8\u304f\u307b\u3046\u304c\u3001\u6642\u4ee3\u306b\u5408\u3063\u3066\u3044\u308b\u3088\u3046\u306a\u6c17\u304c\u3057\u307e\u3059\u3002<\/p>\r\n<p class=\"answertext\">\u5b89\u90e8\uff1a 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